Dear Derek Jeter, advice from superstar editors

Choire Sicha, co-founder, The Awl
For far too long now, sports stars haven’t been able to properly benefit from the labors of their production (of dick pics). Now, thanks to Jeter, they can take the correct ownership of monetizing their intellectual property (dick pics). My main advice for Jeter in his role as newbie publisher would be to craft proper contributor agreements. It’s not appropriate to demand from his contributors the copyright to their dick pics. Jeter and his lawyers should only buy a license to publish, in perpetuity, the dick pics. It’s just a question of fairness. Why should writers give up the rights to their words, why should artists give up the rights to their drawings, why should athletes give up the rights to the strategically lit pictures of their lonely dicks in high-end hotel bathrooms? They should not. Mostly though I’m just happy to see that Jeter can finally get paid for an honest day’s work.

Cindi Leive, editor-in-chief, Glamour
Work hard, sweat the details and remember: Drama counts! A good magazine cover or exclusive story should have all the flair of your best baseball moments — like your walk off home run in the 2001 World Series! And you need a good staff … look for an executive editor who can play Jeffrey Maier to you. (Remember the kid who caught that ball that helped the Yankees win a championship game in the ’90s? You want that attitude in your editing staff.)

David Granger, editor-in-chief, Esquire
Dear Mr. Jeter: Now that you have a little publishing empire — first a book imprint and now a digital magazine-like outlet — I’d encourage you to encourage current and recently former athletes to take on and address actual issues with honesty. Don’t accept things that were clearly written by publicists. Or, if you must, balance that with honesty and originality. Encourage voices that might make people — players and owners alike — unhappy enough to rethink their behavior. From people like Nate Jackson, who wrote a fantastic book called “Slow Getting Up” about his career as a player on the fringes of the NFL. It’s a general rule that the more famous an athlete is, the less willing he is going to be to write or speak honestly. (The most forthright you’ve been with the press was in making this announcement and talking about why you rarely offered anything but platitudes.) It’s the guys who don’t get all that much playing time who most often have the valuable perspective and the funniest stories to offer. Don’t be afraid to let some of these guys contribute anonymously, as long as the professionals (like the incredible Gary Hoenig who you’ve already hired) make the effort to vet their contentions. This could be a good thing, as long as you push your contributors to tell both pleasant and unpleasant truths. Make it funny, make it real and you could have something here.

James Oseland, editor-in-chief, Rodale’s Organic Life
Dear Mr. Jeter: You are, I’ve been told, someone who is well acquainted with the benefits of staying limber and flexible in order to best execute your particular brand of wizardry. My advice? Take that knowledge and multiply it by 10. Oh, and drink lots of water (but you probably already knew that).

Bonnie Fuller, editor-in-chief, Hollywood Life
Derek Jeter could have a hit website on his hands with The Player’s Tribune. But if he really wants to hit it out of the ballpark, he can’t take an amateur approach. Jeter was at the top of his game because he was a total pro who had years of practice and experience as well as talent, below his cap. Derek needs to take his ideas to a great editor with strong Web expertise and they should both partner with a media company which already has successful — preferably sports — websites.

Anthony Correia / Shutterstock.com