How today’s classical composers rely on tech

This is our video series Future Craft, where we profile creatives about how they’re adapting their craft and modernizing their technique for our evolving digital world.

Composer and producer Anthony Barfield has an entire orchestra at the tip of his fingers. With a laptop and the tap of mouse, he can cue up violins, trumpets, oboes or bassoons. With a few more clicks and movements on the keyboard, he can compose a entire musical score for an ensemble. Barfield, a graduate of The Juilliard School, has perfect pitch and plays the piano, but he admits he can’t imagine composing music without computer software like Finale or Logic Pro X.

“Those composers back then [like Mozart or Beethoven] were geniuses. They could hear every single instrument in their heads,” said Barfield. “Nowadays we don’t necessarily have to do that because we have these amazing instrumental libraries.”

Barfield says advances in music-composition software have given him creative freedom to write for instruments he doesn’t know how to physically play. Watch the video to also find out how music composition has evolved from candlelight and quill pens to software and laptops.

More in Media

YouTube is under fire again, this time over child protection

Adalytics Research asks, ‘Are YouTube advertisers inadvertently harvesting data from millions of children?’

Illustration of a puzzle that spells out the word 'media.'

Media Briefing: Publishers pump up per-subscriber revenue amid ad revenue declines

Publishers’ Q2 earnings reveal digital advertising is still in a tight spot, but digital subscriptions are picking up steam.

Lessons for AI from the ad-tech era: ‘We’re living in a memory-less world’

Experts reflect how the failures of social media and online advertising can help the industry improve the next era of innovation.